In a new interview with Vanity Fair, David Yates discusses new techniques and styles he is using for Harry Potter and the Deathly Hallows, difficult decisions they make when penning the script, plans post - Harry Potter, and much more.
[Difficult choices made] on Harry Potter and the Deathly Hallows:
It’s just edgier. It’s a little rawer. It’s more contemporary. It feels more modern. Shooting in the way we’ve been shooting, doing a lot of hand-held camera work, all that stuff, I’ve never got a call from the studio. They just phone up or email and say we love the dailies even though I am doing things that feel very not Harry Potter. So I feel I have a freedom and the elbowroom to do what I feel the story requires.
So you’re hearkening back to your gritty days of State of Play?
Yeah, indeed. In Harry Potter Seven, part One, very much so. But, of course, Hallows part Two brings that fantasy world back in full cinemascope. It’s full of dragons, and big wizard battles, and magic. To keep the thing interesting for me as a filmmaker, I want to serve the wonderful stories Jo has given us but I need to move it around a bit. I can’t feel that I am making the same film. Tonally, I need to shake it up a bit. Like Half-Blood Prince had a lot more humor in it than Order of the Phoenix and that was important for me, and I think it was important for the audience to not get the same journey. And Hallows part One will feel very different than Half-Blood Prince.
To read the full interview, click here.